The Radavist

$600. That’s how much Jacob paid for his Team Fat Chance frame on eBay. It was in pristine condition with the original Yo Eddy! fork and a brand new paint job. Here’s when the collector would begin to scrounge up all the NOS parts to restore it to its original glory, yet all Jacob wanted was a bike he could ride Austin’s Greenbelt trails on. Even with the rebirth of a Fat Chance brand, there’s something to be said about 20-year steel frames. Especially with a legacy like Fat City.

While most of the build is straightforward, the Bullmoose bars and Velocity Cliffhanger rims, laced to Deore hubs are the standout details. Now his Onza tires are tubeless, which means he can run lower pressure and not worry about snakebikes on limestone ledges and the Deore hubs will be easily serviceable after the rain brings creek crossings.

His 1x setup was made possible by a clutch Deore derailleur and a Wolf Tooth ring, mounted to vintage Shimano cranks and braking is being taken care of by Chico’s finest, Paul Components.

For around $1,500, Jacob built up a vintage mountain bike with style and while it might not tackle a rock garden as fast as a modern full sus bike, sometimes the ride isn’t about being timed.

Cole and Jonathan at Mellow Johnny’s did a great job on the build and this bike looks so good covered in limestone dust. Shred on, buddy.

What do you do with that old racing frame you had for over a decade after you decide racing just isn’t for you? Or those gaudy old wheels kicking around the bike shop you’ve worked at for just as long? For Peter, one of Mellow Johnny’s longest running employees, he got crafty.

Peter has had this frame since 2003, when it was fit with an actual road group. At the time, the titanium and carbon Serotta Legend was a rocket. Stiff rear triangle, compliant front end, or so they say. Whatever the marketing behind this bike was, within its design lay a beautiful possibility.

Those bolts, holding the seat stays to the dropouts can be serviced. If they can be serviced, they can be removed so Peter took the initiative to put a Gates Carbon Belt Drive system they had at Mellow’s to the test by installing the belt through that split in the stays.

There he was, with a decade-old, balleur commuter rendered in green and gold. What else could he do to this bike to put it over the top? How about a set of gold Campagnolo wheels from 2008? Voila. Personally, I think this bike is so wacky that it works and it’s been Peter’s go-to ride for years… Run what you brung.

This Tannenwald Luchs 29 was hanging at the Tune Factory and I just had to shoot it. From what I gather, Tannenwald is a local favorite. Honestly, I didn’t know much about the brand besides the frames being built in Germany. I reached out to to them and got a little bit of information about the company.

Tannenwald is Rüdiger (Rudi) Kupper and Stefan Lichtner. The frames are all handcrafted by Stefan in Palatinate, Germany. “Back to the roots” refers to their “commitment to the finest steel construction and craftsmanship”. The LUCHS 29 was inspired by a 42km long MTB trail near the builder’s house. This LUCHS is built with Tune components and has the Schwarzwald-themed paint scheme.

I love how much this bike represents the region, all the way down to the Tune Componentry. She looks like quite the ripper if you ask me.

Fairwheel Bikes in the US stocks all of Tune’s componentry. If you see something you like, they probably have it in stock. If they don’t, they can order it for ya!

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Austin has a certain gravity. It attracts cyclists of all-wheel types and for Matt, he wasn’t drawn here for the road cycling or mountain biking. Matt began his experience with the bicycle on a BMX. He’s from Australia and Austin has always been the mecca for BMXing in the US. His friends here range from pros to companies like T-1, where he stays while in town.

There’s nothing like taking a brand-new bike and throwing it into the proverbial fire.

Bikes like this are not meant to be babied, nurtured, wiped down with a microfiber cloth, and sprayed with chemicals to make them look shiny. They’re meant to be abused, smashed, shredded, and put to the test straight out of the gate. Especially bikes specifically designed for arguably one of the most intense endurance races in the Continental United States.

The Salsa Cutthroat is what I would call a first for the company, in the sense that it’s a bike designed for a specific event: the Tour Divide Race.

Over the next few days, I’ll be rolling out coverage from what we all began to call the “Tour Divide Simulation Ride” but first, I’d like to begin with a quick gallery from the Grand Depart in Banff, Alberta.

Traditionally, the race begins in the YWCA parking lot, just across the river from the main tourist thoroughfares in Banff. This year’s turnout was the biggest yet, with around 150 people registering for the race. A quick headcount revealed around 130 at the start, with a handful of people beginning a day early or later that morning.

Still, to see a Grand Depart this size for a race like the Tour Divide was more than I expected and quite the scene. Men, women, old, young and even a canine left Banff with aspirations of finishing this grueling challenge. Over the next few weeks their mind, body, bike and soul will be put to the test…

Our trip was a bit easier but even after three days on the road, I have a new found respect for anyone willing to tackle such a feat. Best of luck to all the racers and riders still out there on the TDR.

From the backcountry of Alberta, Canada to the Italian countryside…

It’s been a whirlwind month here at the Radavist and so before this beaut gets lost on a hoard drive, I really wanted to share it. This bike was owned by Emilio De Marchi and still resides in their storefront which has been here since 1951. The frame itself is from the early 1960’s and is labeled under the brand’s name De Marchi. This cruiser was made in the same town as their garments from a small time builder of which no one could remember his name.

Over the years, it got updated with a more modern mix of parts including Campagnolo GS and NR. Most impressive to me are the droves of old Italian men who ride bikes like this in Conegliano, where the bicycle is the way of life for many people.

As I’m pedaling away from Mellow Johnny’s on Ben’s bike to photograph it, I couldn’t help but try to think of some clever way to describe it or at least the back-story. These days, custom paint is divided into a few categories with the most prominent being either high-concept or merely aesthetic. Truthfully, I’m not sure where this one sits on that spectrum.

When I look at this orange, yellow and black steed, it reminds me of some menagerie. It was painted by Dustin at Violet Crown Finishing in Austin, Texas. Close my eyes. Open them. I see a koi fish. Or a tiger. Moreseo, a koi though. Perhaps it’s the sparkles? Tigers don’t have sparkles. Was that Dustin’s inspiration? Who knows. Ben, the owner (a mechanic at MJ’s) has a lot of traditional Japanese tattoos.

When you ride a bike like the Specialized Crux, it’s hard to stand out from the other fish on the field. They’re literally a dime a dozen. Affordable, performance-minded, lightweight and they look great, right out of the box. Sometimes though, you want something a little more flashy, without springing for a custom frame.

The frame was a cheap pickup, actually a trade. The Giant wheels came from a friend, for free. The rest of the parts were scrapped from a free bin, save for the Pro cockpit and post. I don’t want to tell you how much money Ben has invested in this frame, because it’ll make you mad. That and his friend Dustin wanted to really paint a bike.

You don’t need to go custom to have the custom experience. Painters are just as talented as builders and they have the ability to transform even a bike like the Specialized Crux into something that will truly stand out from the other fish in the school.

Case in point… wow.

Niner’s ROS 9+ One Hell of a Good Time
Words and photos by Kyle Kelley

The White Rim Trail in Utah’s Canyonlands NP has been on my radar for awhile. I imagined I would do it on a cross bike, carrying only the necessary food and water, one small camera and riding from the early morning to early evening. The reality ended up being quite a bit different. I rolled out on a Mid-Fat outfitted with custom bike bags, carrying 7 liters of water and enough food to feed a kindergarten class for two days! Shit… I even brought an abnormally large camera (at least for me) in addition to my standard point and shoot just because there was still room in the bags. I was rolling in luxury and the bike that made that possible was the Niner ROS 9+!

If any city merits a good, solid track bike or singlespeed, it’s London. The traffic is like an organism. Sometimes predatory, othertimes symbiotic. It’ll swallow you whole, or let you surf the wave of continuous flow. Die-hard fixed gear and track bike riders will sing their bike’s praises in these conditions, while guys like Charlie will take all that and run a different direction.

Charlie is the owner of Seabass Cycles. He’s had this Ted James Design ESB, or extra strong bike for a few years as a fixed gear. The premise behind these frames was to take a track geometry and tweak it with a few BMX or MTB influences: bigger tire clearances, gussets and body language.

The Speedvagen Urban Racer. How can I even begin here? These bikes are… uh. Well, they’re kinda completely ridiculous. They’re not a traditional commuter bike, a cruiser, or a touring bike. They’re not meant to be loaded down with gear, or to be casually ridden around a park. Like a cafe racer of the bicycle world, these rigs are stripped down machines, meant to be ridden like a rocket… on 27.5 wheels and 43mm tires. Skids anyone?

Heritage is not something that can be bought, or self-prescribed. It’s grown and nurtured over time. Heritage is not a by-product of the self aware, or the overly ambitious. It can’t be self-stated either. Not unless your company began in 1946 and the whole time, has had a presence both locally and internationally in this world we so often call the cycling industry.

De Marchi apparel was started by Emilio De Marchi shortly after WWII. It began as a motorcycle and cycling store in an era where there were no cycling-specific jerseys. If you cycled, you wore the same jersey that you played futball in, or wore while you rode your motorcycle.

It wasn’t until the late 1980’s that De Marchi stepped away from motorcycle apparel to focus solely on cycling. This was after multiple cycling brands had offered to buy De Marchi for a hefty profit, yet Emilio stuck to it. Again, heritage.

The allure of the eBay score is strong, especially after so many Landsharks have been recently featured here on the site. Such temptation was too great for Andre. After looking on eBay for a few months, he finally scored this Road Shark with Shimano 600 for $400. It came as shown, minus some dry-rotted tires and no saddle, which were easily replaced. It’s in ok overall condition, just don’t look too closely at the bar tape!

The future of this bike is uncertain. There’s been talk of long-reach calipers, 650b conversion with porteur bars, or a modern 10-speed group, and my vote goes to keeping it as-is, just overhaul the damn thing a bit. For now, Slawta’s crazy personal touches shine regardless as to how much patina is present. My favorite detail is the chomping shark mouth on the internal cable routing exit…

Vacation. Holiday. 3-day weekends. From Memorial Day until Labor Day, the road is wide open and the sun is putting in overtime. Taking advantage of those days is key to sucking the last drop from life and its possibilities.

Last summer, I bought a 4 banger Tacoma pickup in Portland and it kickstarted a whole series of road trips. Most of which centered around cycling-related themes or events but it was the interstitial spaces and moments that I remember vividly. Sunsets, sunrises, rain, fog, wind. All of these had a specific scent and sensation. Most of which were captured visually throughout those long summer months.

I carried my Mamiya 7ii with me on every trip, loaded with Portra 400 220 film. It wasn’t until recently that I finally sat and dug through it all, compiling a Gallery of these moments and vignettes. They’re mostly in the correct order, beginning in Portland and traveling down south.

A lot of these spots are well-known, others not so much but they all serve one purpose: to inspire you to travel to the West Coast and see what you’re missing. Pardon the succinct nature of this intro, but there’s not much to say. I’ll let the photos speak for themselves.

Slack and low, with bigger tire clearances this time. That’s the main difference between this bike and its predecessor. As noted in the previous bike’s gallery, the first version of this bike wasn’t what I wanted. Luckily, Seth Rosko is a good friend of mine and a very capable frame builder. He’s also human and humans make mistakes. What makes a human a great human and a great framebuilder is their ability to rectify those mistakes.

We had a miscommunication, and there was a fabrication error that resulted in a frame with clearance for 2.0 29’r tire in the rear. It’s something that happens from time to time. Framebuilders make mistakes. Chainring clearances, missing or incorrect cable stops, off-square rear triangles. You’re getting a functional piece of art and art has character. Right? Maybe not so much. It needs to function, above all.

Now that we’ve got that out of the way, let’s move onto what I’m calling my “Agave Slapper” hardtail. This version clears a 2.4 Ardent on the rear, has a 69º head tube angle, a mid-range BB drop and an option for a 2x or 3x front ring. It’s easy to get it low through corners and in Texas, that means the occasional run in with the blue agave plant, where its color was inspired.

Fluoro and functionality. That’s what caught my eye when I first saw Justin‘s Serotta T Max mountain bike. That and the big ol’ Columbus Max OR sticker (I have a crush on that tubeset). Justin took what many would consider an obsolete 26″ frame, added mustache bars to it, a rack with a Wald basket and flat pedals, resuscitating it back to daily use. Of course it still shreds dirt, but it also shreds to and from work. Now we gotta find you a front derailleur dude.

Bum tracks, fire roads, singletrack beware, this Serotta T Max is looking for lunch!

Taking on the #FlowShiv
Photos and words by Chris Riekert

Here in the hallowed halls of the big red ‘S’; you know, the Death Star of the cycling world… you might be surprised to see there are some real people roaming around. Real people that are, first and foremost, big fans of bikes.

People like my buddy John Friedrich, the only man I know who would happily talk about the different weights of DOT brake fluid and what they offer to the rider, literally, until you’d choose water boarding over continuing the conversation… Or like our mechanic Patrick “Tree” Miller who seems like someone delivered to earth in one of those rescue pods shot through space as the planet Krypton went through nuclear collapse. Patrick is the NICEST most willing to help person I’ve ever met… and yes, he is a bicycle mechanic! How about that?

It’s not everyday that you see a cyclocross bike with Campagnolo Chorus 11 speed. I suppose it’s not too common to see a Geoff McFetridge-designed bike either, unless you’re in Los Angeles, which is Mudfoot territory.

Jason, like a lot of us, likes to use his cyclocross bike for road rides, dirt rides, trail rides and even a bit of ‘cross racing. These days, he’s got road wheels on his bike for heading into the hills and mountains surrounding LA. Yesterday, he took a leisurely spin up Griffith Park en route to getting a bite to eat.

I’ve seen countless Stinner Frameworks x Mudfoot bikes, but his was set up differently than others. Things I like about this bike: the white housing, GSC Steal Your Shop stem cap, the Prologo saddle, juxtaposed by the white bar tape. Things I don’t like about this bike: that it’s not dirty enough! Get out and ride that damn thing more Jason…