The Radavist

This is part two of an in depth conversation between Tom Ritchey and Ryan le Garrec where Ryan seeks to identify key periods in Tom’s life alongside key people. Perhaps second only to Tom’s father, it seems that Jobst Brandt had significant influence of the young Tom. Below, Ryan shares excerpts from Tom’s side of their conversation that highlight Jobst’s character, his notorious rides, and his lasting impact. Enjoy!

Sometimes, adventure comes calling.

For Chris McNally that call came from Ritchey when we asked him to tackle the Nutmeg Nor’Easter with nothing more than a rough outline of must-dos and our adventure-ready Ascent.

Tom Ritchey is not what you would call an open book. Rather, he’s a whole library; a labyrinth with many alleys, chockfull of stories, where everything splits and branches like the best network of singletrack, and there are no cul de sacs. Every door leads you to another room. Every answer opens up another question. There are no shortcuts.

The following is just a casual conversation. In it, you might not find all the details of the next frame that he is working on but you may find a better understanding into what it took for Tom Ritchey to become Tom Ritchey.

“I have a public self and I have a personal self. I could answer that question on a public side and tell you I just love riding my bike and being by myself and all (…) That would be an authentic answer but it’s not the whole answer of course. So I’ll give you the personal one too.” – Tom Ritchey

Every bike has a story, but some intrinsically harbor more nuanced lore. As you might have noticed, over the past few years, I’ve acquired a few Ritchey frames from the 1980s. We’ve previously covered my Everest and the story of Tom’s early Bullmoose designs; I also have a 1985 Annapurna, and this no serial number 1980 Ritchey, which might be the best build yet.

This era of mountain bike design and development is my favorite. In the late 70s, guys like Joe Breeze built beautiful bikes inspired by balloon cruisers and klunkers. Tom Ritchey, inspired by the frenetic energy of the mountain bike genesis, began making fat tire frames in the late 70s. From 1980 through 1981, several bikes left Tom’s shop, including the fabled ‘chicken coop’ bikes, and a few were built void of any serial number.

This bike is the latter, and boy, does it have a story…

What’s this? Another grey, size 23″ Ritchey? Well… yes!

Over the past year, I’ve revisited my love of handmade, vintage bikes and have honed in with particular interest on the work of Tom Ritchey, a builder at the fore of early mountain bike design. My goal in this case study of sorts is to provide a few examples of the major shifts in Ritchey’s production, primarily through the 1980s, with a single specimen representing these stages. My catalog of Ritchey frames includes a recently acquired anonymous 1980 model devoid of serial number, a 1985 Annapurna (arguably the finest bike model Tom ever brazed), and a 1982 Tam that is now being replaced by this 1983 Everest.

Earlier this year, we looked at my 1982 Tamalpais, built to catalog spec and in pristine condition. Yet one thing never really sat well with me about the build: the Bullmoose bars. You see, these early Ritcheys had a very unique Bullmoose that was more complex than the quill stem Bullmoose bars found in the late 1980s.

It’s a long story but one I’ll unravel here…

Vintage mountain bikes have a special place in our hearts over here at The Radavist. From vintage klunkers to fillet-brazed beauts, it just seems like bikes from the early years of mountain biking were ahead of their time in a lot of ways. When the pandemic hit, I found myself browsing forums, eBay, and emailing collectors to build up some vintage rides. I was inundated with all the tech that was coming out, yet wasn’t available to consumers, and just felt like revisiting my passion for old bikes would reinvigorate my love of 26″ wheels and friction shifting. This Ritchey is the most recent of three bikes that I built up over the past few years in the pandemic and was by far the biggest undertaking for me. The process included painting some Tom Ritchey fillet Bullmoose bars to match and fixing some shoddy paint on the frame itself.

This bike needed a complete build kit, as I bought it as a frameset, so I spent a lot of time speccing the build while utilizing some of the NOS components I’ve been sitting on for a few years. The end product is something I’m truly proud of and Cari and I had a lot of fun with the photos here, so enjoy!