The Radavist

I like to shoot the first frame on a roll of film no matter how carefully I load the roll I always end up getting something kinda strange and wonderful out of that first exposure – an effect yielded by the film’s interaction with light coming from two separate moments in time and space – the exposure of the film through the camera’s shutter, but also the light leaked onto the frame during the loading of the roll. One of my favorite photos ever is of my 17-year-old beagle/spaniel mix, Bucky, where he looks like he’s peeking out from behind a cascading sheet of liquid sun. The first exposure on this roll is of my friend, podcast co-host, and riding partner, Sarah rifling through overstuffed bikepacking bags outside of a country store in Damascus, Virginia about 15 miles into our 550-mile bikepacking trip through the mountains of Virginia and West Virginia. The image of her trying to squeeze a snack bar into a nonexistent empty space in the top tube bag is itself neatly constrained into the 2/3rds of the frame not devoured by light exposure obtained while the roll was being loaded.

For decades, the little mountain overlooking my mother’s childhood home held a massive secret and my dad was in on it.

At just under 2,000 feet, Mount Weather sits along the edge of the Blue Ridge Mountains in the rural Virginia town of Bluemont. It served as the backdrop to my childhood memories of time spent at my grandmother’s house. These days, whenever I visit the area on my bike and ride by the house, I look up at the mountain knowing it’s the reason I’m here.

And what my dad once told me, this mountain might be the reason we are ​all ​still here.