The Radavist

Perhaps you remember Beau? That crazy fella who rode his bike from Boulder, Colorado to Mexico City in the middle of the summer that we profiled last year? Well, John reconnected with Beau after his tour and asked if he had any stories he’d like to share. Little did we know we’d get a tale like this… Also, Beau is doing another postcard project, so read on below for those details as well!

​​As much as I think I’ve changed through the years, my objectives are barely different from when I was 18. I nearly dropped out of my senior year of high school to play hardcore punk across North America, shoplifting and dirtbagging mostly through the West, sleeping wherever, and existing willfully at the boundaries of society (or in defiance of them). Reflecting, I sought an antidote to modernity. An alternative to working in the shipyard until my back gave out like the young men in my town were expected to do. I wanted to forfeit that life for something uncomplicated. Set up, play, tear down, eat, sleep, drive, repeat.

Jorge’s high-pitched voice turned serious, still a few octaves higher than you’d expect: “You must have a plan. In life, in travel, in everything! Always, have a plan and always stick to the plan.” My brother, Quinn, and I looked at each other… “Wellll ya, we kind of have a plan.” We continued to bump along the dark streets toward the center of Guatemala City, looking at the empty streets go by through the window. I think we were both starting to wonder if maybe our “plan” was a bad one. Each city zone we passed through Jorge told us to be careful, explaining the dangers of Guatemala City, and warning us to be home before dark. “Two gringos locos, people know,” said Jorge, not so subtly alluding to the fact we stuck out like sore thumbs.

When we arrived at our Airbnb Jorge jumped out of the car and rang the bell of the security door. The guard buzzed him in, and we followed. The guard was young. On his desk, there was a revolver that looked as big as his hand. I wondered if he’d ever even shot it. In some ways, I hoped that he hadn’t. It was around 11:00 pm and, after a day of travel, we could feel the day catching up to us. We thanked Jorge for the ride and turned into the elevator. A few beers on the small terraces sounded good to both of us, but listening to Jorge’s persistent advice against going out past dark we decided to skip the nightcaps and go to bed. The next day we woke up to the streets below our rooms busier than the night before and the memory of Jorge’s warnings faded a bit. With no food in the house, we planned to walk to the market for some groceries and then decided we’d start to track down the key to our trip – bikes.

Not Chaotic, But Like Jazz

“We are all building on what Dario left us.”

On August 23rd, 2018 Italian framebuilder, artist, music aficionado, cancer survivor, and living legend Dario Pegoretti unexpectedly passed away. At only 62 years old he had made an indelible mark on the cycling industry. After building uncredited high-end custom frames for names such as Induran, Cipollini and Pantani he started his own company, Pegoretti Cicli. Both a traditionalist and iconoclast Dario never wavered from his love of steel while also constantly playing with innovations in technique, frame design, and painting. In all of these, he was a renowned master.

I have written, deleted, and rewritten this article several times now. There was the version that leaned in hard to trying to be funny, the version that tried too hard to be philosophical and deep, the version that was a cut-and-dry, day-by-day account of the trip, and finally this one: some words written less about the trip itself and more about why I am so thankful we approached it the way that we did.

Read on for Andy Karr‘s full re-telling of a recent bike tour from Santa Fe to Las Cruces, New Mexico…

There are about 52 weeks a year and every week, we post 5 full-resolution galleries, meaning there are around 260 Reportage galleries a year for you to enjoy. The intention behind this website has always been about documenting the outliers of cycling and inspiring you, the readership’s next build and bike ride. Over the years, we’ve tapped into a wonderful resource of talented raconteurs and photographers. Hosting their work is both a privilege and an honor we cherish.

With such a massive image database, these Photographic Year In Review posts provide reflection, aspiration, and motivation to continue, to push on, and keep doing what we do best: tell stories and share photos.

Read on below for a short synopsis of this year with a massive gallery of inspirational photos from the past twelve months…

Sami Sauri’s Into the Atlantic Islands project takes an artistic approach to documenting multi-sport endeavors throughout Macaronesia with episodic videos, analog photography, and physical fanzines. We recently previewed the Madeira Islands installment of the project and, since then, Sami and team released five episodes on YouTube to complete the sequence. Today, to complement the video series, Sami shares some context around the project along with a stunning image gallery that’s only adding to our urge to start traveling internationally again! 

As I sit here looking through the rolls of film shot at this year’s Cyclocross Nationals in Chicago, IL, the feeling is bittersweet. Traditionally, Nationals marks the end of the domestic racing season, but as I wandered through the parking lot catching up with old friends, it felt more like the beginning of something. After two years of canceled events, postponements, and isolation, gathering in Chicago for this year’s race almost felt “normal.”

The Mid-Atlantic has a great ‘cross scene. Most races tend to have crowds of spectators, full fields, interesting and varied courses, and—thanks to the highly variable mid-Atlantic climate, weather that spans from the hot and dusty to absurdly muddy in any given season. There is a lot to love in the Mid-Atlantic if you like cyclocross and Andy Karr is here to tell you why.

The beauty of bikes is in the people who ride them—and how they all have a story. I have little doubt that everyone—serious riders, aeroed and grimaced, and carefree cruisers alike—have experienced that epiphanous fresh-air feeling of freedom that accompanies spinning your legs astride two wheels. Sometimes we just enjoy it at the moment—letting the short-lived wave of release and clarity wash over us during a weeknight burrito run, or a trip to the coffee shop. Other times we chase that feeling down with the hope that, somehow, it might change our life.

What first intrigued me about Josh Uhl was, however, not his history with bikes but his podcast Here For Now, which he started in February of 2021. Josh uses this platform to have intentional and intimate conversations with his guests about motivation, struggle, and the big whys of life. Listening to an early episode with Peter Hogan, where the recovering addict asserts that “Bikes aren’t God,” and to a later episode where the writer Zoe Röm reflects on the delusion of “authenticity” on social media, I found myself frequently nodding along. Yes, exactly.

I don’t consider myself an avid bikepacker. Yet, neither I think nor talk about riding my enduro bike (which I don’t have). Terminology in general has lost meaning for me in the past years in the bike world. I guess at the same time as many of us, I got overwhelmed with all the new kinds of everything, and the speed of development and diversity the market has achieved in such a short time. I tried to back off a little and find a short of safe place from where I can observe it all. And at the same time, the kind of biking I try to practice more is also quite determined by the act of observing.

I like to shoot the first frame on a roll of film no matter how carefully I load the roll I always end up getting something kinda strange and wonderful out of that first exposure – an effect yielded by the film’s interaction with light coming from two separate moments in time and space – the exposure of the film through the camera’s shutter, but also the light leaked onto the frame during the loading of the roll. One of my favorite photos ever is of my 17-year-old beagle/spaniel mix, Bucky, where he looks like he’s peeking out from behind a cascading sheet of liquid sun. The first exposure on this roll is of my friend, podcast co-host, and riding partner, Sarah rifling through overstuffed bikepacking bags outside of a country store in Damascus, Virginia about 15 miles into our 550-mile bikepacking trip through the mountains of Virginia and West Virginia. The image of her trying to squeeze a snack bar into a nonexistent empty space in the top tube bag is itself neatly constrained into the 2/3rds of the frame not devoured by light exposure obtained while the roll was being loaded.

Bicycle tourists are some of my favorite subjects to document. Especially ones that ride by their own rules. When a fella named Beau Walters dropped me a line on Instagram on Sunday, asking if I was free to meet up in Santa Fe as it was on his touring route from Boulder to Mexico City, I naturally obliged. Little did I know what I was getting myself into!

You know how a hashtag can fuck you? Well maybe not, but a few years ago my good friend Nic and I had this idea … we’d always been intrigued by the pans – or mud flats – of the Northern Cape here in South Africa. At the time we were really getting into riding fixed gear bikes and one day it hit us – let’s take our fixed gear bikes onto the pan! Why not? Surreal landscapes, super smooth surfaces good enough for world speed records! Sounds like a good adventure right? We did some research and found out that that year there was a South African Speedweek planned in September 2014 on the Hakskeenpan, coinciding with the launch of a planned rocket-propelled car land speed record attempt – the Bloodhound SSC. We decided to travel up in Nic’s old 1963 Porsche 356 – it seemed appropriate. Bikes on the roof, gear in the back.

Today on the Radavist, we’re featuring a bit of unobtainium. Those of you who might have heard about this brand before know that the first batch of frames already sold out. For those of you unfamiliar with Rangefinder, it’s a collaboration be Adam Sklar of Sklar Bikes, Hubert d’Autremont from Madrean Fabrication, and the painter Jonathan Pucci from Cicli Pucci. While the frames are gone, the process is what’s important and that process was documented with 35mm rangefinder cameras. We’re featuring the Mystic Project book which has over 100 images, slides, project text from Nicholas Haig-Arack, and final bike photos in a really special Reportage, so enjoy.