The Radavist

Introduction: We pinged Erin Lamb to write about her experience at this year’s Lost & Found with John’s experience told through the gallery captions. We’re trying new models for event Reportage, so please let us know what you think in the comments! Enjoy!

I lost my wallet a couple of weeks ago, and I’m not searching to find Jesus. I’m pretty sure the wallet fell out of my purse in a parking lot when I pulled some shit out to throw into the back seat. And, the Jesus thing, just not interested. If you’re looking for a feel-good story about stumbling upon the light, then maybe this isn’t for you. This is more of a coming-of-age gravel riding tale dispatched straight from a middle of the pack 65-miler on the Sierra Buttes’ Lost & Found.

Carbon manufacturing is changing the way we envision bikes, and the creations are wild. Case in point: Allied Cycle Works’ new Able. When you first look at this bike, it’s impossible not to focus on the chainstay – but looking around the frameset, you see the possibilities that can come out of a carbon mold these days.

Last week, we looked at the new Juliana Quincy, through the eyes and words of Amy Jurries and today, I’ll be taking you through the new Stigmata, as someone who rallied and loved the last model. How does it compare? Read on below.

The Santa Cruz Stigmata was truly one of the first disc all-road bikes that opened my eyes to not only what an off-road bike could be, but what it should be. I loved it so much that it influenced the geometry of my Firefly, yet that initial Stigmata review was over four years ago. A lot has changed in that time and the Stiggy was long overdue for an overhaul, mainly in one specific area, the tire clearance!

First Impressions: Meet the New Quincy – Juliana’s Answer to the Popular Stigmata.
Words by Amy Jurries, riding photos by Ian Collins, and bike photos by John Watson

Quincy, California sits at the northern end of the Sierra Nevada mountain range. It’s in the heart of California’s Gold Country where in the mid-1800s, miners from all over the world came for their chance at striking it rich. It’s in part thanks to the Gold Rush that within spitting distance of town, you have access to hundreds of miles of mountainous dirt roads.

While the town itself is small, with not much more than a movie theater and a few places to shop, each year around September the population swells with the crazy two-wheeled set for Grinduro weekend. Juliana’s new drop bar bike, the Quincy, is 100-percent made to rule on this terrain. Before Sea Otter, I was invited down to hang out with the Juliana/Santa Cruz team and test out the Quincy. With a 40+ mile ride in the mountains around Big Basin Redwoods State Park, we rode hard on everything from tarmac connectors and loose chalky gravel to branches, mud, and gopher-hole-checkered grassy downhills.

BTCHN’ Bikes, the latest chapter in Chico Framebuilding
Photos and words by California Travis

The small college town of Chico, California has been home to a few very notable framebuilders over the years. Jeff Lindsay starting out building road bikes is 1972, and was one of the first pioneers to create mountain bikes under the name Mountain Goat in 1981. Bob Seals (inventor of the Klean Kanteen and Cool Tool amongst other things) took modern geometry and quality materials, combined them with classic curvy steel cruiser aesthetics and founded Retrotec Bicycles in 1992. Mitch Pryor of MAP Bicycles took custom randonneuring frames to the next level of meticulous perfection in Chico and then Paradise.

Unapologetic. Relentless. Persistent. A Machines for Freedom Expedition in Utah
Words by Aimee Gilchrist, photos by John Watson

The Utah desert, or desert in general, does not often offer comfortable accommodations to outsiders. High winds, isolated vegetation, sun-soaked and shadeless valleys, rapid nocturnal cooling and infrequent precipitation. The desert can feel like a bitter and unforgiving stranger. Lucky for us, Utah was well-behaved. Late March riding and a window between April showers painted the varying landscape with fragrant sage and spring blooms. Barren mesas were glowing with red and gold dust. And instead of the reliable, wind-blown silence often found on these remote roads, our Machines for Freedom team shared conversation and laughter that could be heard echoing in the canyons for miles.

A few months earlier, Jenn Kriske from Machines for Freedom gathered a group of ladies to ride an aggressive route mapped by John Watson. Our MFF riding team consisted of seven badass, hilarious, strong athletes from Santa Barbara and LA to Portland by way of Bozeman and Durango: Jessica Baum (Santa Barbara), Gritchelle Fallesgon (Portland), Mason Griffin (Bozeman), Stephanie Ortega (LA), Ginger Boyd (LA), Sarah Swallow (Durango) and I (LA). Heavy winter snow and rain this Spring impeded the original route and last minute adjustments were made exchanging knee-deep mud for pavement. Our goal was to ride 350 miles from Tropic, Utah to Green River, Utah in 4 days. We were well suited for this undertaking.

Trophy of Nations, You’ve Got my Mind Racing
Words by Kyle von Hoetzendorff, photos by Sven Martin

The EWS (Enduro World Series) and the UCI recently announced The Trophy of Nations.  A multi-day enduro race with a team racing component. Since 2013 the EWS has been run independently from the UCI and for good reason. It allowed the EWS to develop and hone the series from track selection to race format and rules without the bureaucratic lethargy and bungling that is typically associated with the UCI.  Chris Ball and the rest of the EWS staff deserve high praise for taking the mandate to independently foster the growth of this series.

Time Trial on the Arizona Trail 300: The Trail is Always Available

Words by Lael Wilcox and photos by Rugile Kaladyte

I started thinking about riding the Arizona Trail again while Rue and I were hiking it in November. We took a $5 FlixBus from Tucson to Flagstaff, walked one mile down Historic Route 66 and got on the trail. It took us a month to walk to the Mexican border. Walking was my mental recovery from a summer of racing. The Arizona Trail is a 789 mile hiking trail across the state. With a bike, it’s a hybrid– mostly riding, but a considerable amount of pushing too. It’s hard. It took me 270 miles of walking to start dreaming about getting back on the bike. I remember the moment– we were hiking the Gila River section and my mind started tracing the curves of the trail with bicycle wheels. And it hit me, what if I rode the Arizona Trail with a bigger, more capable bike?

Baja Divide, La Sierra Norte – Daniel Zaid

Words and photos by Daniel Zaid

In 2016 I rode my bike through the Baja California pennisula on the only paved highway, the Carretera Transpeninsular, and as pretty as it was, having to look over my shoulder all the time prevented me from fully enjoying the ride. I ventured in some dirt roads and after some very bumpy rides I thought I’d also look into getting another bike, something that could put more cushion between the rocks and my bones. Few weeks before finishing I read about the Baja Divide project; I saw a photo of the map and did the Cape Loop and thought “This is what I needed.” Three years later I’m finally able to go back again, this time though on a bike made expressly for dirt road touring: Ultraromance´s #RoseEmojiBikes aka the Warthog Wash Wiper aka “Rosita”. Also I’m joined by my partner Karla on her Surly Krampus, who has been dreaming of doing this route for months.

The world of gravel racing is still very foreign to me. At least the competitive side of things, yet I find myself getting roped into these races, namely the ones where they boast features like timed sections. These enduro-inspired gravel races, like Grinduro, adopt this format in hopes that people will hang out and make the event more casual, rather than an all-out battle for who crosses the finish line. In events like Grinduro, this works perfectly, keeping the pace party-level and the conversations lively. This party vibe isn’t easy to cultivate. You’ve got to convince people it isn’t worth charging ahead, stringing the group out.

So maybe that’s why I felt compelled to try out the Eroica California’s Nova race. It boasted timed segments, chiller riding vibes, and I have ridden in the area, twice before, as well as the Eroica California’s course, back when it began and ended in Paso Robles. With this year’s event starting in the sleepy town of Cambria, it surely would be one to remember. Oh, and it was.

NAHBS the Hard Way: Bikepacking off the Beaten Path from Santa Rosa to Sacramento
Words by Nicholas Haig-Arack and photos by Derek Bolland, Rie Sawada, Brendon Potts, Toyoshige Ikeyama, Adam Sklar, and Nicholas Haig-Arack

I’m sitting here eating a bowl of melting ice cream trying to recollect a few hazy days of sungold and lime-green-tinged moments in the rolling hills and burnt panoramas of remote Northern California, where our international band of amigos took the long and dirty way to the world’s greatest handbuilt bike show.

Let me set the scene with a quick prologue: Three years ago I rode from Santa Rosa to NAHBS in Sacramento by way of scenic Hwy 128. Two years ago I took a meandering MTB road trip to NAHBS in SLC by way of Sedona and Moab, with plenty of memorable stops for singletrack sessions along the way. Last year I skipped the show in Connecticut – too far to ride, too far to road trip – but I was there in spirit since my personal purple haze hardtail was on display in the Sklar booth. After last year’s show was over, when I heard that the Handbuilt Bike Show was making a return to California’s capital in 2019, the wheels were set in motion. I had to plan a route to top them all. More mileage, more dirt, more fun, more friends, more fence-hopping, more roughin’ it.

Fire is nature’s way of redesigning. A way to rewrite the present landscape and while the process is painful, oftentimes, the landscape is rejuvenated. Coastal California is tricky though due to its chapparal ground cover along the mountainsides. You see, chapparal – a coastal low-lying shrub – is old growth and when it’s burnt, the soil loses its stability, causing horrific mudslides. Once the chapparal is gone, there’s nothing else to hold all that dirt together. There aren’t really trees or forests like in other parts of the country along these hills and mountainsides, rather the trees find refuge in the canyons, where they can be more protected, although, with the past few years in California, there seems to be no refuge from fires.

Like many of the local riding areas in Santa Barbara, Refugio burnt a few years ago in the Serpa Fire, engulfing the fire road and hillsides, charring it to the ground. As with most fires, mudslides followed, wiping out El Capitan Ranch in the process. Local efforts have brought the area back, making this epic dirt climb ridable again. Many people say it’s better than ever. Perhaps it was the rebirth of Santa Barbara’s trails and roads that prompted Stinner Frameworks to update their Refugio all road model. Or maybe that’s just a correlation I came up with, either way, a redesign, and improvement is always good when it comes to a bicycle frame, especially one that stays close to its roots, post-burn.

“As I was posting process photos of this bike on Instagram, people kept saying, oh it’s so Art Deco, and I didn’t know what that even was. I finally opened a book and said, yeah! It totally is. I was so inundated with it being everywhere in New York that I didn’t even know it had influenced my work so much. Art Deco is in the buildings, the subway, the gutters in the street. It’s everywhere.”

I hate to throw quotes around that saying because I’m sure I got some of it wrong but it really resonated with me. Tom Porter is a sculptor in Brooklyn, New York. His brand, Porter Cycles is a side gig for him. As a full-time sculptor and fabricator, he began building bikes in 2010 and this year at NAHBS, he brought this beautiful townie that presents an interesting dichotomy.

For the past few years, NAHBS has been covered quite extensively here on the site but going into the show this year, I felt like I needed a change, so leading up to the event I had already mentally planned on covering it a bit differently, I just didn’t know how. When the show opened yesterday, I quickly found that covering it in a different manner wasn’t just an option, it was mandatory. My usual methodology of shooting and documenting bikes was not going to work. The show in Sacramento feels bigger than in years prior, maxing out space, and thus not giving me any options for shooting on the floor, so I had to think quick.

Finding a small alcove just outside of an exit, in a less than ideal location, I was able to document some bikes but found myself enjoying walking the venue talking to builders and attendees, something I rarely had time for in years prior. This allowed me to really enjoy the show and mix the coverage up a bit, providing a more well-rounded viewing experience. I’ll be presenting the show in a series of galleries this year, with most information in the gallery captions and complete bikes broken down below, so enjoy!