The Radavist

Rust Never Sleeps on Sofia’s AWOL Touring Bike
Words by Erik Nohlin, photos by John Watson

TRUST ME, I’M A DESIGNER

As a designer of bicycles I try to stay on top of things like material development, new alloys, paint pigment, flakes, pearls, platings and whatnot. It’s in my interest to stay updated in an ever-changing world. What you see on the floor in a bike shop is not just a bicycle with a random color: it’s the result of hundreds or thousands of hours of trial and error behind the scenes at any one man bike shop or huge bike brand with a fleet of designers.

That one color started out as 666 other potential colors and in the end, only one made it. For the one man operation or smaller brand in a well-defined niche it might be easier to do cool and crazy shit to please that one customer with that weird request of a thermochromatic dead matte black that fades to metallic peach with a pride parade pearl to top it off. I design bicycles for a global brand and need to create a bike that pleases a global rider and as you all know, trends and cultural differences around the globe vary, fluctuate and make my day pretty complicated.

I’ll be honest with you: it’s frustrating to rarely ever be able to bring the raddest and weirdest stuff to you. One example is the one off Full Nuke Rainbow AWOL I created for the Transcontinental Race, a bike that almost blew up the internet when John posted it. So much stoke and love was thrown on that bike but the reality is that it would be impossible to produce it, guarantee the surface quality, get a decent price and distribute it to you. Doing rad stuff is easy but mass producing it is a completely different story. So, I try a lot of surface treatments and materials but most often these tryouts, experiments never leave the design studio as more than dirt on my hands, stains on my jeans and once in a while, a painted one off bicycle that I can tell you about.

The Rust AWOL is my wife Sofia’s bike and it used to look quite different. A super glittery rainbow flakey touring bike that was left in the hands of Garrett Chow on a journey to the heart of Death Valley early last winter. The washboard and dirt in Death Valley eat bikes for breakfast and the beat up bike that was returned to her had a couple of scars too many so I promised to bring it back to its “old glory”. The frame is one of the first nickel plated frame samples for the Transcontinental Edition AWOL we did and a perfect canvas to be creative on since the nickel makes it completely sealed for corrosion – ironic isn’t it? Rust is corrosion and in this case impossible to achieve without some chemical magic from a UK paint company called Rustique.

My colleague Barry Gibb had previously used it to create a fantastic surface on a carbon bike and I wanted to try it to, on steel this time. We ordered some paint and decided that Sofia’s nickel plated bike would be the victim for this experiment. The month of June is usually pretty mellow at work (read: not as completely fucking crazy as July and August) and I spent some afternoons in the workshop and paint booth to finish off this creative experiment in an effort to bring real organic life back to a surface that’s dead. In a step by step series on Instagram, I told a transparent story about the process of the #rustawol and here it is and for the first time, a somewhat finished bike. The project was crowned with a Brooks Cambium rust saddle and bar tape where the fabric matches the bike and the vulcanized rubber matches the tan wall tires nicely.

As a last step I gave the Supernova headlamp and the Tubus rack a kiss of iron oxide. The humid and cold San Francisco summer will continue to corrode and oxidize the surface even though it’s been sealed with a clear coat as I surprisingly discovered after picking up the bike today. I learned a ton on this project, got my hands dirty and created a bike that Sofia really seems to like. I love that I sometimes can show you the hands-on process of being a designer at a big brand when 90% of my work never leaves the design studio. Confidentiality keeps us all from sharing what I know a lot of you like seeing and know more about.

Personally, the making-of-dvd in the Indiana Jones DVD box is far superior to the movies themselves and getting dirty is the only way to learn something new.

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Follow Erik on Instagram.

Simple, straight forward and built with no nonsense parts, this titanium cross is just one example of Lauren Trout’s frames built by hand in Austin, Texas at Saila Bikes. With so many people building with 44mm head tubes, curved stays and disc brakes, it’s nice to see one with a 1 1/8″ fork, straight as an arrow stays and canti brakes. That’s the beauty of custom thought: you get what you want.

Even with SRAM, ENVE and Chris King, you’re looking at a custom, handmade, titanium bike for under $5k as shown, which is a damn decent pricepoint for a frame that will most likely last you for decades and while others charge near that for a frameset, Lauren Trout learned how to weld and wield titanium at Seven Cycles.

Shooting builders in their workspaces is one thing, but their craftsmanship shines when you can photograph the finished product. Just look at those welds… stacking dimes.

#MadeRADbyTony: The Starmac
Photos by Carson Blume Photography, words by Chris Riekert

“How about a little comet?” Tony says while deep in his element. “Yea… right there. Perfect.” Watching Tony paint, I realize he isn’t talking to me, but rather coaxing the paint out of his airbrush. In a dimly lit pop-up tent pitched in his backyard, Tony’s workspace smells like a lack of ventilation in a chemical plant.

There’s something special happening right now within the US framebuilding industry. Something that ought not to be overlooked, no matter how too good to be true it might seem. Before we go any further however, I must make one note: a production frame is not a custom frame. There’s a misconception that everything made by a framebuilder is custom. A production run is a series of sizes, made in an assembly-line process, which drastically reduces cost on both the builder’s end and the consumer’s end.

With that come a few issues: one of which being fit and others include – often times – paint choice, or adding extras like braze-ons, pump pegs, chain holders, etc. The most important factor however is fit. Many people are driven to a framebuilder due to fit issues, but a majority of the population can be fit on a stock geometry with a series of tweaks. That said, the geometry for these stock sizes has to be able to accommodate.

Enter Wraith Fabrication, one of these new US-made production companies, headed by an existing framebuilder, Adam Eldridge of Stanridge Speed. Now, why would a framebuilder make another brand to sell bikes? Because of their construction: Wraith is tig-welded, Stanridge is fillet brazed. Adam isn’t the first fillet-braze builder to move onto a brand reliant on tig welding, either.

There exist a series of tig-only framebuilders who build production bikes for various brands, including Wraith Fabrication. Wraith now offers a disc cyclocross bike, the Paycheck and a road bike, the Hustle. These frames are built from Columbus Life tubing, with Ohio-manufactured head tube cups in Oregon and then painted or powder coated in Ohio.

Adam designed the geometries, specs and brought the project to life… using magic? Nope. Just a solid production. I got to take one of these bikes, the Paycheck disc cross bike for a series of rides over the past week. Check out an initial reaction below…

Two Years on a Bike With the Fuji X-Pro1
Words and Photos by Kevin Sparrow

A follow up to: Kevin Sparrow Discusses the Fuji X-Pro1 and Cycling

It has been over two years since I switched over from Canon DSLR to the Fuji X-Pro1 and I haven’t looked back. I’ve traveled all over the world with this camera. I rode from Paris to Lausanne with her slung around my back. I’ve shot photos for commercial clients and for publications. This little camera has more than met my expectations as a professional use camera.

Going into NAHBS this year, one builder I was very interested in chatting with was Kris from 44 Bikes. I’ve enjoyed watching his brand gain so much notoriety over the past year and wanted to find out more about what made him tick.

We chatted a lot, went over all his bikes, talked about New Hampshire life, dirt, trails and what inspired his insane DIY workshop project. At the end of the show, I realized that I shot all three of his bike, essentially giving more coverage to him than any other builder.

There’s no real reason for that, other than since Kris was new to NAHBS, I really wanted to give him some exposure because I really admire his work.

Case in point: this 1×8 Retroshift Cross Bike. Kris used the Retroshift system on his TRP Hylex hydro disc brakes, Industry 9 wheels, along with the Retroshift BURD rear derailleur. Tech aside, this bike has stance. Bright red, crisp lines, no-nonsense language and yes, as I like to say, it’s utilitarian art. See more in the Gallery!

Each year at NAHBS, I love how much Geekhouse steps their game up. From brightly-colored fixed gears and track bikes to classic tourers and race-ready cross bike. This year, Geekhouse is unveiling their new Hopedale Disc. By partnering with SRAM, Vittoria and Selle Italia to lace out the builds.

Since it is the North American Handmade Bicycle Show, Geekhouse chose 100% made in the USA tubing, with a mix of True Temper’s S3 and OX Platinum, along with Paragon Machine Works “Low Mount” disc dropouts.

For me, the most notable detail on the bikes are the paint jobs. The paint uses a two-step process. All three show-bikes have a powder-coated base, and then Jordan Low masterfully applied wet paint in geometric patterns. The artwork, done by Adria Klora, was inspired by the Geekhouse HQ (yellow), dazzle camo (blue), and the Zakim Bridge in Boston (red).

The yellow Hopedale Disc will be heading to the owner of Cooks Paint Works in Japan, via Blue Lug Bicycle Shop after the show. The red Hopedale Disc belongs to Kyle B., in Texas, which he gave as a 30th present to himself. The blue Mudville is an extra special bike though, aside from the paint and HED wheels, SRAM Force, and Thomson components, this machine is going to someone close to Geekhouse.

View these bikes this weekend – Geekhouse Bikes is exhibiting at the North American Handmade Bike Show at booth #400.

For those who won’t be in attendance at NAHBS, each bike is highlighted in details through the lens of Heather McGrath. See all three of Geekhouse’s offerings in the Gallery!

We all have “roll models”. You know, people who ride that we either know or don’t know but for some reason, we look up to them and aspire to one day tap into their radness. Maybe we follow them on Instagram, or witness their riding on a website…

Over the years I’ve gotten to spend some time getting to know Ty Hathaway, co-owner of Golden Saddle Cyclery. His past exploits include finishing the Tour Divide, being a general ripper on anything with two wheels and exploiting his spontaneity through planning (or not planning) some pretty incredible rides.

Last year Ty bought a Surly Pugsley and started riding the shit out of it. After doing a few small excursions, he called up one of his best friends, Moi Medina to go on a two day ride in Arizona. The story and Guest Gallery inclosed below is all from Ty directly, in his words…

Read on below for what I consider one of the raddest Guest Galleries ever to grace this site!

As someone who has everything he needs in a touring bike, I’ll admit that I was a little apprehensive to spend a weekend on the new Specialized Edition AWOL Transcontinental touring bike (due out in late February). Honestly, it just didn’t seem like my kind of rig. I like cantis, the feel of a traditional drivetrain and the look of a 110mm stem.

Now, from what I had seen of the AWOL, it was the exact opposite and that bothered me. A lot. First of which was the riding position. The bars were level, or even higher than the saddle, due to the massive head tube and positive rise, 80mm stem. It looked like a MTB, not a touring or rando bike with its compact geometry.

Next up, a Gates Carbon Belt Drive and an 8 speed Alfine hub – there’s no way that gear range would be wide enough! The bike relied on TRP’s Hylex single speed hydraulic disc brakes. Up until this point, every hydro disc system I’ve ridden on drop bars has felt horrible, especially when compared to my XT and XTR setups on my mountain bikes. Even my SLX on the fatbike felt better…

My opinions aside, the bike still intrigued me and one thing I’ve been trying to work on is separating my somewhat arrogant opinions and being more open minded about product reviews.

When Erik told me that he really wanted to do a ride that was mostly dirt on the AWOL, I figured what the hell? Up to this point, the AWOL has been showed on road, not off-road. Besides, what’s the worst that could happen? Maybe some of my opinions would change and I’d have to pull my foot from mouth.

That’s exactly what happened. Check out more below!

Guten tag! I have found the internet…

It’s Eurobike and I have no idea what to do here. Well, that’s not true, I have a few clever posts up my sleeve. After 12 hours of madness, I’ve made my way through most of the show, ran into some people, saw some cool shit, exhausted my shutter finger and the first flask filling #FFF. I managed to get some great shots, including the new White Industries anodized hubs, the return of turquoise Chris King, some rad Tune products, a sexy LOOK, Bear Grease, #Partybrand, body-painting, AWOL, beer, beer and beer.

While I’m working on more content, how about some randomness from the first day? I thought so…