The Radavist

Picking up where yesterday’s post left off, we’ve got our second and final gallery from the Philly Bike Expo, featuring track bikes, gravel bikes, commuters, and a high-pivot full suspension. Read on for John’s closing thoughts on the offerings from this year’s Expo and a reflective outro on the future of custom bike showcases…

When I lived in New York City, we rode our bikes to Philadelphia every year for the Philly Bike Expo. At the time, the event was hosted inside an old armory in the city, and featured a handful of framebuilders, makers, and companies with roots mostly in commuter cycling. Back then, the Philly Bike Expo felt like a family. I moved out of the Northeast shortly after and was really looking forward to reconnecting with old friends.

The last time I made it to an Expo was in 2012, and a lot has changed. While the same soul is still very much present, the venue, size, and impact of the Philly Bike Expo have grown. After a two-year pandemic hiatus and a relatively subdued 2021 year, it was back and bigger than ever for 2022. Cari and I flew to Philadelphia to get out of Santa Fe for a few days, soak in some big(ger) city food, and take in the Expo, so let’s get to it.

Looking at an Oddity Cycles-designed frame, handlebar, or fork, you might think that it was welded in a circus sideshow tent by a depraved, frazzle-haired, torch-wielding, radical. That these wildly bent steel and titanium tubes, contorted and bonded into freakishly beautiful forms, could only have originated in the darkest corners of a PT Barnum exhibition. And that’s exactly what Sean Burns, founder, designer, and fabricator wants you to think. So, on this eve of All Hallows, let’s pull back the curtain on this iconic framebuilder, and his assistant “Spooky,” along with a close look at a couple of Sean’s personal two-wheeled creations…

Every bike has a story, but some intrinsically harbor more nuanced lore. As you might have noticed, over the past few years, I’ve acquired a few Ritchey frames from the 1980s. We’ve previously covered my Everest and the story of Tom’s early Bullmoose designs; I also have a 1985 Annapurna, and this no serial number 1980 Ritchey, which might be the best build yet.

This era of mountain bike design and development is my favorite. In the late 70s, guys like Joe Breeze built beautiful bikes inspired by balloon cruisers and klunkers. Tom Ritchey, inspired by the frenetic energy of the mountain bike genesis, began making fat tire frames in the late 70s. From 1980 through 1981, several bikes left Tom’s shop, including the fabled ‘chicken coop’ bikes, and a few were built void of any serial number.

This bike is the latter, and boy, does it have a story…

We’re back today with Josh’s second installment of coverage from the Bespoked Handmade Bicycle Show! Let’s jump right in below with more recapping and a gallery of beautiful builds from Prova Cycles, Clandestine, Black Sheep Bikes, Etoile Cycles, Dawley Bikes, Avalanche Cycles, Coal Bikes with Black Cat Custom Paint, Fahrradbau Stolz, and Sour Bicycles…

Just over one week ago Josh was in London for the 2022 edition of Bespoked Handmade Bicycle Show. Under new ownership and management, the show moved from its former location in Bristol, England to the Lee Valley Velo Park in Stratford of East London. With three days of track racing, talks, food, hangs, coffee, enviable new products, and—of course—hundreds of eclectic and beautiful bicycles on display, the show was a major success for the new organizers, exhibitors, and attendees.

Let’s dive straight into Part One of our recap below with a look at bikes from a bevy of builders: Sturdy Cycles, Quirk Cycles, Donhou Bicycles, Sideways, Lord Cycles, Stayer Cycles, Ted James Designs, and Auckland Cycle Works…

The late 80s and through the 90s brought in a sea change of experimental bicycle design, namely in the time trial events. From the banked walls of a velodrome to the bitumen, several bikes pushed the limits of design in this era. Today in our From The Pro’s Closet series, we have Raúl Alcalá’s 1988 7-Eleven Huffy funny bike, reported by Noah Geller and documented by Joey Schusler. If you’re pining for some classic 7-Eleven history, don’t miss this one! Let’s get to it…

It’s that time of year again! The Chris King Open House returned to Portland this past weekend and, with it, a showcase of seventeen custom bikes. Let’s check them out in detail below!

What’s this? Another grey, size 23″ Ritchey? Well… yes!

Over the past year, I’ve revisited my love of handmade, vintage bikes and have honed in with particular interest on the work of Tom Ritchey, a builder at the fore of early mountain bike design. My goal in this case study of sorts is to provide a few examples of the major shifts in Ritchey’s production, primarily through the 1980s, with a single specimen representing these stages. My catalog of Ritchey frames includes a recently acquired anonymous 1980 model devoid of serial number, a 1985 Annapurna (arguably the finest bike model Tom ever brazed), and a 1982 Tam that is now being replaced by this 1983 Everest.

Earlier this year, we looked at my 1982 Tamalpais, built to catalog spec and in pristine condition. Yet one thing never really sat well with me about the build: the Bullmoose bars. You see, these early Ritcheys had a very unique Bullmoose that was more complex than the quill stem Bullmoose bars found in the late 1980s.

It’s a long story but one I’ll unravel here…

Earlier this year, I purchased a Bug Out, the new “stock” steel frame offering from Zach Small’s framebuilding operation Amigo Frameworks. While visiting Zach in Nashville, we spent a few days building it up in his shop before heading out for first impressions on some springtime Middle Tennessee mixed-terrain riding at the Gosh Darn Gravel Gathering. Since then, I’ve put hundreds of miles on the Bug Out and swapped components a few times to get it where it is now—an intersection of pure enjoyment and mechanical perfection. Genre-wise, this bike pushes a lot of boundaries, and I’m not sure what it is: Dropbar MTB? Adventure bike? ATB? Touring bike? Monster Gravel? At some point, labels stopped mattering, and I realized this might be the most fun bike I’ve owned. Let’s look at the Bug Out, and some build highlights, in detail below and find out why!

Single speed mountain biking. It’s kinda dumb right? How hard is it to shift a derailleur, c’mon.

Let’s not sully the holy sanctity of this article with such petty things as single speed arguments (for or against). What a cliché. If you’re new here, suffice it to say there are all sorts of reasons—from cost to curmudgeonliness to cache—to ride single speed mountain bikes. Those reasons don’t necessarily make sense. If you’re a regular reader, you already know how 1-speed bikes fit into today’s bike culture…enjoy your unsullied reading.

This article is about the bond shared by single speeders and how events like Single Speed USA (SSUSA) carry and strengthen them. I also want it to be about bikes as well, as I know more than a couple of people here might be into them.

From its crowd-funded origins in 2011,The Bicycle Academy (TBA) has arguably become the most influential framebuilding school in Europe. With names like Ted James, Robin Mather, Paul Burford, and Tony Corke of Torke Cycling, gracing the past and present roster of instructors, it’s no wonder that TBA has seen over 1,000 framebuilder graduates leave its halls.

TBA’s current space is a large, purpose-built warehouse with a semi-open plan on a labyrinth-like industrial estate just outside of the town center in Frome, England. Even with its spacious design, every corner is jammed full of amazing bits of work, every surface adorned with tools or momentos and every wall covered in paraphernalia that induces positive vibes. It’s a fortress for community building and the halls themselves seem built to foster forward-thinking, where shared mantras include, ”what good will I do this day” “make the new” and my personal favorite “flux is thicker than water”.

Many of the faces are TBA come and go—that’s, of course, the nature of a school—and the fluid shifting keeps the place brimming with energy and dynamism. But a few figures have become cornerstones of the institution. Below, let’s dive into some of the conversations I recently had with a few TBA long-haulers.

Oversized white t-shirts flapping listlessly between a great white softbox Welsh sky and endless hordes of casual, sunbathing daisies. Jersey pockets bulging with hard boiled eggs and gummy bears. Hushed whispers of chain ring print, oil tattooed cyclists entering a bird hide and unzipping Leica binocular cases. Nature’s comfortable chatter pauses incrementally to listen to the doppler shifting cacophony of a freewheeling Hope RS4 flying down a caution signed gradient. The Fforest Gran Ffondo must be, objectively, the finest road cycling event around right now.