The Radavist

Over the years I’ve been lucky enough to ride and review a lot of interesting bikes, from hand built one-offs to small batch customs and a whole lot of factory production models. In all that time I’ve only found a few bikes that I really didn’t want to let go of. The Fairlight Secan 2.5 is one of those few.

This bike is perhaps the most adaptable drop bar bike I’ve ridden. To help make that point, Fairlight sent me two dynamo wheelsets to use for the review, and I’ve spent three seasons riding the bike in various configurations. Under myself and my friend Andrew, who helps edit my rambling reviews, the Secan has completed four 200 km brevets, and has been my go-to distance bike for the review period.

“We’re cultivating this weekend, a few weeks earlier than we normally do. It’s getting drier every year, and harder to grow grapes in a dry farm system”. This passing statement tickled somewhere on my brain stem as Steve’s words seeped in and we all gazed up at the Sierra Madres. I wondered if the mountains too might be getting drier every year just like down below at Condors Hope, the 20-acre ranch situated at the opening of Bates Canyon, the gateway into our four-day bikepacking mission.

Two years ago, nearly to the day, my friends Erin, Campbell, Ian, and I all came down to Condors Hope to embark on a similar long weekend trip to explore and experience the landscapes, otherwise referred to as the high steep broken mountains, that had, at the time, just been reopened to oil and gas leasing by the Trump administration. We returned from that trip two weeks before the world shut down from COVID, and well, you pretty much know the rest of that story.

This year brought about the return of the Handmade Bicycle Show Australia, and we had our mate Andy White from FYXO on the ground documenting some of Australia’s finest handmade bikes. Part 03 of our coverage showcases 15 unique builds from the show, so read on for more!

Earlier this year, Locke Hassett had the pleasure of spending a few months riding Breadwinner Cycle’s Bad Otis. This modern 27.5-inch wheel hardtail – with snappy short 415mm chainstays, 66° headtube angle, and 160mm of front suspension – presented him with some interesting considerations about mountain bikes, the sport as a whole, and what it means to him. Continue reading below for Locke’s in-depth review of the Bad Otis, along with some other relevant revelations…

I love being alone all day, deep in remote and wild areas, reliant only on myself to move through the landscape, over difficult terrain, and in bad weather. I enjoy utilizing the various ultralight backcountry travel skills I’ve gleaned since my early twenties. And I feel immense joy when I can be efficient and accomplish goals. I’m also really afraid of the dark. Not so much of wild animals, but rather of wild weirdos who wander the woods and kill innocent middle-aged women. I know. Super unlikely. But I never sleep much at night while on solo adventures.

Mostly I have backpacked alone or solo aid climbed big walls. But I stopped climbing after a gnarly accident where a friend fell 100 feet and nearly died. I also quit backpacking because the annoying arthritic autoimmune disease I suffer from incapacitates me if I hike more than a few miles with weight on my back. Luckily a few years ago I discovered the horizontal world of multi-sport adventure travel.

I have written, deleted, and rewritten this article several times now. There was the version that leaned in hard to trying to be funny, the version that tried too hard to be philosophical and deep, the version that was a cut-and-dry, day-by-day account of the trip, and finally this one: some words written less about the trip itself and more about why I am so thankful we approached it the way that we did.

Read on for Andy Karr‘s full re-telling of a recent bike tour from Santa Fe to Las Cruces, New Mexico…

Unlike the bike expos and builder showcases we are fortunate to document on this site, such as the recent Philly Bike Expo and Bespoked UK, the Sedona Mountain Bike Festival is not typically the event to attend if you’re interested in encountering custom frames or ogling otherwise unique bike builds on display. Instead, group rides, production bike demos, and other community-building shenanigans are the focus.

This year, however, there was much ogling to be done. Thomson featured two bikes from builders they often partner with – Oddity Cycles and MONē Bikes – in addition to a couple of their own Hooches available to demo; Why Cycles had a booth connected their sister brand, Revel Bikes, offering demos in addition to showcasing two head-turning builds; Celilo Cycles had a collection of their handmade wooden bikes on display; and Atherton Cycles sent a custom 3D printed enduro bike with a friend from the UK to show off at the event.

Continue reading below for an in-depth look at these marvelous machines and be sure to scroll all the way through to the last one — it’s a trip!

It’s been just over a month since Bespoked, a bit more since Sea Otter, and a couple of weeks since Philly bike expo. Sadly, due to travel restrictions, I only managed to make it to one of those shows but it’s been fun to watch the others from afar. Seeing what’s going on with a bike show on the internet is one thing but the experience of attending one in real life is very much another, and it’s a thing that until Bespoked, I hadn’t even realised that I missed. Shows like Bespoked really hammer home how far from the main-stream frame building is and how weird and interesting the cycling community can be.

The beauty of bikes is in the people who ride them—and how they all have a story. I have little doubt that everyone—serious riders, aeroed and grimaced, and carefree cruisers alike—have experienced that epiphanous fresh-air feeling of freedom that accompanies spinning your legs astride two wheels. Sometimes we just enjoy it at the moment—letting the short-lived wave of release and clarity wash over us during a weeknight burrito run, or a trip to the coffee shop. Other times we chase that feeling down with the hope that, somehow, it might change our life.

What first intrigued me about Josh Uhl was, however, not his history with bikes but his podcast Here For Now, which he started in February of 2021. Josh uses this platform to have intentional and intimate conversations with his guests about motivation, struggle, and the big whys of life. Listening to an early episode with Peter Hogan, where the recovering addict asserts that “Bikes aren’t God,” and to a later episode where the writer Zoe Röm reflects on the delusion of “authenticity” on social media, I found myself frequently nodding along. Yes, exactly.

I feel like I’ve known Martina and Jason from Swift Industries since the brand’s inception. It must have been the 2010 Philly Bike Expo where we first met. Later, I bought an Ozette bag for my Geekhouse touring bike in 2011, and for a number of years, we’ve stayed in close contact. Both the Radavist and Swift Industries grew at parallel trajectories. It’s now 2021 and I realized I’ve never interviewed Martina about the Swift Campout, so today we’re pleased to host a quick interview to stoke the flames for the 2021 Swift Campout, which is coming up fast, on June 19th-20th! So read on below for some insight into this wonderful event!

Please see Part 01 here: Top 11 finalist for the 2021 “Lael Rides Alaska” Femme-Trans-Women’s Scholarship: Part 01

A few weeks ago, the umbrella company of radical bicycles and components that is Tanglefoot Cycles reached out, sharing their parts catalog. Aside from their wild bicycle designs, the Discord Peeper Stem really grabbed our attention. In that post, we hinted at this showcase, which we’re delivering today so enjoy a long cruise with Tanglefoot at the helm…

The pandemic has us in the throes of deep wanderlust. While travel has been momentarily halted, stories such as this get our minds whirling into a spiral of possibilities. Paulo LaBerge and Heather Plewes toured throughout Tanzania and Eastern Africa, penning a journal of sorts for Esker Cycles, filled with short stories. Today, we’re sharing those tales…

You ever cross someone’s path and roll away feeling like they changed something in you forever, simply by existing as they are? I am Katie Sox, a freelance visual media maker, a professional massage therapist, and proponent of platonic love. I ride bikes, see people beyond their costumes, own my awkwardness and giggle a whole bunch, too. I grew up racing BMX and doing ballet then got into mountain biking in my early 20’s. For me, the privilege to ride is of the utmost value.

What’s a day, an hour, a few seconds, or a month?
What’s the point of time if it’s still and untouched?
Where are we now, and can it be then?

I woke up that morning from sweat and fears, dreams that fade away in the blink of an eye but a feeling that takes longer, lingers around, just for a while. I had a crash but it left no rash.
I met Fabian over a year ago, in Oman, at a race, he was wearing skinny black stuff and had a lot of tattoos, he had a mustache and looked a lot like bike messengers, or my friends from Brazil.

There seems to exist a set of truisms in mountain biking: your next bike will always be better than your last, my local trails are harder than your local trails, and the fastest local rider isn’t on Strava and humbly rides a singlespeed. Then there’s the local legend, a misfit rider, the slightly anachronistic character that emerges on the trail mid-group-ride on a hardcore hardtail who rides loose and fast and with reckless disregard.

When Kona announced the Honzo ESD earlier this year it came as a great surprise. The original Honzo has remained relatively unchanged since 2012 and this new version looked like a poolhall brawler by comparison. Dominated by modern geometry, BMX inspired frame lines, and a build kit suitable for Bender himself, it was clear this was going to be no ordinary Honzo…

In what I hope will be the first of many monthly(ish) articles, of varying lengths, Nikolai and I visited (in)famous bicycle designer Mike Burrows, who has been a constant in terms of support, inspiration and taking me down a peg or two when I need it (always). Nikolai filmed our trip on my Sony A7iii as part of an ongoing project, so I decided it would be especially fitting for Mike to document our trip on celluloid with my Mamiya C330, and a little Olympus rangefinder on Kodak Portra 800 film.