The Radavist

Each framebuilder has probably their own relationship with the Concourse de Machines. Mine is not monochrome.

On the one hand, there is the excitement of creating a product with soul and sharing it with the framebuilding family. Our profession is “socially” atypical. It is at the same time very solitary: us and our ideas, our tools, the calm atmosphere of the workshop. And it is also inevitable to expose the brand/our work on social networks, the only lever to promote ourselves autonomously, without counting on the press. During the CDM contest, this too virtual sphere becomes the timespan of a few days entirely palpable and real. I find in the other framebuilders a sensitivity, convictions, a listening that it is hard to find in someone who did not go through the same choice of professional life as me. For many, it remains one. The contest is also about that: talking about our joys, our doubts, our desires, our difficulties, and that makes it very attractive to me.

On the other side, there is this shell that I try to put on myself since the frustrations felt during the CDM 2019. I had a bad experience putting so much soul into a project to feel pretty much unconsidered. Too young, too shy to show off, not enough in the good papers. So I take advantage of each edition to remind myself that we are doing this competition above all for ourselves, to continue to invent ourselves. The look of others is sometimes pleasant and often relevant, but it should not affect our own.

In 2018 I was invited to take part in the third edition of Concours de Machines as Dear Susan, in the medieval town of Bruniquel in the south of France. The Concours is a recent(ish) revival of a frame-building contest first organized in 1903 that ran up to the late 1940s. It was traditionally hosted in different locations around France, the goal of which was to demonstrate the superiority of artisanal “constructeurs” and their machines, over production bikes.

Before accepting the invitation, there were some red flags for me. For instance the idea of “better;” how you can numerically score one bike against another, especially if they’re designed and made around a particular rider for a particular course? There’s so much that just comes down to preference! Reading further into the scoring system, the seemingly arbitrary categories actually became quite liberating, in that scores were given based on abstract criteria rather than what constituted a good or appropriate bike. Limitations included things like: “the bicycle must have wheels with tyres, and a system with which to steer,” as well as point scoring sections like: “the bicycle must be able to power its own lights and it must have bags to carry everything you need for an overnight trip.”

This is the first of two reports from the 2022 Concours de Machines. Be sure to check back tomorrow for the second installment!

You know what I love about this bike? It’s been out there, getting dirty and living it up in the randonneuring trenches. It was built for the Concours de Machines, which you can read all about at Jan Heine’s blog. This competition is used to determine the best lightweight randonneuring bike and adheres to very strict rules. While this feat may sound intimidating, for Peter Weigle, it’s just another day in the shop. You see, Weigle is a master of his craft and it’s the details you can’t see that make his bikes so extraordinary. His construction techniques are second to none and his bikes are meant to get ridden, not to be hung on a wall in someone’s personal bicycle gallery. A Weigle wants to live its life to the fullest and luckily for the owners of his bicycles, the pleasure is shared between the two. To top it off, this bike, as shown here weighs 20lbs (9.1kg) on the nose and can be broken down easily to “Rinko Parts,” or the Japanese method of breaking down bikes for train travel.

Saying we woke up would imply sleep, which is a luxury the night before the Concours de Machines race hadn’t afforded us, owing to thick black clouds of mosquitoes that infested our van. I lit a church of citronella candles and closed all the doors and windows, while Josh rolled himself up in a sheet and slept outside on a decrepit shezlongé that sat outside the factory. Mosquitos spent the night screaming and raging in our ears while doing their best to tear us limb from limb. At 4 am they sat lining the window sills, fat and bloated, drunk on our blood.

I killed a dozen of them with an old sock in one limp sleep-deprived swipe as a tokenistic act of vengeance, knowing they’d be saving their strength for another assault the next evening. I stood in Andreas’ elegant la fraise workshop contorting my body to scratch bites between nerve endings on my back, craving coffee as the pilotes clip clopped in on road shoes. For many of them, road shoes were a terrible choice. The 204km route billed as a road with some cobbles and gravel somehow encompassed 1466m of short sharp climbs in an oppressively pancake-flat landscape, as well as some muddy singletrack. The singletrack must have caught teams rolling on 28c slick tyres off guard, and would prove catastrophic for some.

This is the second of two reports from the 2022 Concours de Machines. Be sure to check here for the first installment!

Our European correspondent Petor Georgallou is back for the second installment of covering Eurobike in his trademark gonzo style. Read on to follow Petor’s tracks into the wonder and weirdness of Europe’s largest cycling trade show. 

 After an eleven-year hiatus, Ira Ryan is back building bicycles under his namesake moniker, Ira Ryan Cycles, in Portland, Oregon. While Josh was visiting the City of Roses earlier this year, he stopped by Ira’s to catch up and check out some new projects. Continue reading below to look inside Ira’s workshop and drool over some of his exquisite recently built bicycles.

The 2023 Bespoked Handmade Bicycle Show just wrapped after three action-packed days of talks, parties, and drooling over the heaps of amazing craftsmanship on display. Josh was on the ground at the Dresden, Germany airport where this year’s event took place, and, below, shares his final gallery of bikes and a couple of interesting components. Let’s get right into it!

The 2023 Bespoked Handmade Bicycle Show just wrapped after three action-packed days of talks, parties, and drooling over heaps of amazing craftsmanship on display. Josh was on the ground at the Dresden, Germany airport where this year’s event took place, and, below, shares his second gallery of bikes and a couple of interesting components. Let’s get right into it!

Cjell here with a quick report from the field on my latest prototype bike model, the Monē Hachita. I’m still dialing in the details but have released a few protos into the wild. The new/forthcoming frame featured here was just built up by my friend Bailey Newbrey. For those unfamiliar, Bailey is the owner/operator/janitor/DJ of Sincere Cycles in Santa Fe.

The new bike is one we’re working on over here at Monē. The current Monē line-up has a slack/playful hardtail with very big tire clearance, a drop bar with very big tire clearance, and a gravel bike with just big tire clearance. In many ways, these thru-axle, disc-braked bikes are superior to this new bike. In all ways, really, save one: ultimate retro compatibility.

Today we’ve got another bike that was displayed at the French constructeur event, Concours de Machine. Built by Jolie Rouge Cycles, this all-mountain steel full suspension is outrigged with bags, racks, and more. As someone who owns a steel full suspension, it’s amazing to see the ante upped in this manner but that’s just the half of the weirdness that’s about to unfold for you so read on below for the builder of this bike, Julien Fritsch’s words and photos!

Radical Atavism is about sharing stories from the road, knocking the dust off your bike, and reflecting on an experience. These thoughtful reflections, penned by autodidactic raconteurs, are just one of the feathers we’ll proudly peacock in our caps. Looking back at the past twelve months, we’ve got a list of ten articles that stood out from the rest. Included are stories from the birthplace of mountain biking in the US, of FKTs, CKTs, events, and more. Don’t miss out on this nostalgic trip through The Radavist’s Top Ten Stories of 2022!

Next week, we’re going to peer into the workshop of JP Weigle, but we’re going to share his bike first, as an introduction to those who might not be aware of who the hell Mr. Weigle is, what he’s known for, and just how stunning his bikes are. Take some time and really mull over these photos because the work of Peter Weigle is second to none!

There were so many bikes at Peter’s worthy of being shot, but there was something about this particular bike that I just kept going back to. It was the cleanest, but for some reason felt like it was the most loved. I could’ve shot the bike that Jan Heine reviewed in 2017 for Bicycle Quarterly, but there was just something about this very blue bike that had me going crazy.

Wow! What a year it’s been. In the past twelve months, we’ve shot roughly 300 bikes. From gravel races, to NAHBS, the Philly Bike Expo and our normal travels, we really captured some unique builds and we’ve got a good handle on the bikes the readers of the Radavist enjoy checking out based on some key metrics.

Every year we try to do our best to sort through twelve months of archives to narrow down to this list. The first filter is the comment count, which we start at 50 comments. Then comes page views, with the minimum number being 20,000 views. Finally, we look at the social media chatter; including Instagram comments and how many times was the post shared across various platforms.

What we end up with is a list that is filled with a plethora of interesting, versatile, and quirky bikes. The only editorial decision I myself made was to omit reviews of stock bikes. So no Santa Cruz Stigmata or Cannondale Topstone this round!

Check out the full Top Ten Beautiful Bicycles of 2019 below, in no particular order…