The Radavist

The Old Man Mountain Elkhorn Rack solves a critical problem I’ve always had with my mountain bike. As far back as I can remember, owning a set of wheels translated into carrying stuff. A friend on the handlebars of my Sears BMX bike. A case of beer and groceries on the front rack of my old Vespa. An entire apartment in the back of my pickup truck. However, that functionality never existed for me in mountain biking.

For the final installment of our coverage documenting the Forgotten Coast Route – a bikerafting trip connecting all of Iceland’s southern coast – expedition photographer Ryan Hill writes a series of short stories recounting some memorable moments from the media team’s point of view. Follow along with Ryan and the rest of the team which includes videographers Bryan “Bobcat” Davis, Jeremy Bishop, and Icelander Sigurdur “Sigi’ Petur.

Less than thirty miles from one of the most populous areas in North America, lies the remote eastern reaches of the Los Padres National Forest. With its seemingly endless layers of pinyon, ponderosa and fir-studded peaks that stand sentinel over a tangled labyrinth of deep, rugged valleys, it’s hard to believe that such a wild oasis exists merely a stone’s throw from the greater Los Angeles metropolitan area and its nineteen million residence. And, in unbelievably stark contrast to the concrete-laden hustle and bustle of neighboring LA, this portion of the Los Padres remains almost entirely devoid of human presence for much of the year. For the months that motorized access is prohibited, one must hike or pedal their way into these wild and untamed canyons. Getting back there can be a rigorous effort indeed, but more than worth it for the unhampered solitude one can find.

April is typically a shoulder season here; heavy snow years and lallygagging winters can render the month bitterly cold, the trails can remain unrideable, and the streams too cold and icy for any desirable form of fishing. This winter was different however…the snow never really fell, and unseasonably warm and dry weather persisted through the once-rainy winter season and on into spring. So here we were, the first weekend in April, baking under an angry sun as we loaded bikes and prepared to set off deep into the Los Padres in search of wild campsites and native fish.

I first met Janessa (15), Jodessa (13) and Jaron Segay (20) November 2020 in Glen Canyon National Recreation Area. Wanting to support Dzil Ta’ah Adventures owners, Jon Yazzie and Nadine Johnson, and their Navajo Youth Bikepacking Program, we invited these first three participants on a Four Corners Guides bikerafting course to cap off their season of learning to bikepack.

The kids didn’t talk much, and Jaron busied himself setting up camp for all of them or otherwise prepping their bikes and gear. The girls rode on borrowed bikes until dark night one, and fished for catfish with beef jerky night two. And when we first set out on Lake Powell, the three of them giggled and spun their rafts in circles for the first few miles before settling into a paddling rhythm. Since that trip, I’ve watched the kids blossom into full-fledged competitive mountain bikers. Based on their hard work, ability to take care of their own gear and confidence riding bikes, they’ve been chosen to participate in various bike- or adventure-related programs. I recently chatted with Janessa, Jaron and their mom, Jessica, to talk about how the Youth Bikepacking Program has changed their lives.

Each framebuilder has probably their own relationship with the Concourse de Machines. Mine is not monochrome.

On the one hand, there is the excitement of creating a product with soul and sharing it with the framebuilding family. Our profession is “socially” atypical. It is at the same time very solitary: us and our ideas, our tools, the calm atmosphere of the workshop. And it is also inevitable to expose the brand/our work on social networks, the only lever to promote ourselves autonomously, without counting on the press. During the CDM contest, this too virtual sphere becomes the timespan of a few days entirely palpable and real. I find in the other framebuilders a sensitivity, convictions, a listening that it is hard to find in someone who did not go through the same choice of professional life as me. For many, it remains one. The contest is also about that: talking about our joys, our doubts, our desires, our difficulties, and that makes it very attractive to me.

On the other side, there is this shell that I try to put on myself since the frustrations felt during the CDM 2019. I had a bad experience putting so much soul into a project to feel pretty much unconsidered. Too young, too shy to show off, not enough in the good papers. So I take advantage of each edition to remind myself that we are doing this competition above all for ourselves, to continue to invent ourselves. The look of others is sometimes pleasant and often relevant, but it should not affect our own.

I couldn’t stop moving the day before Gravel Camp. I was so excited, so nervous, and full of jitters. For years this camp had been an idea; since last year it was a real goal; and for the past two months, it was practically a part-time job.

Together, my fellow organizers (and friends), and I planned a weekend bike summer camp for femme, trans, women, and non-binary (FTWNB) folks to build the skills, confidence, and community to adventure on their bikes. From all over the East Coast and as far as Colorado, campers were coming to New Haven, CT, to learn about bike mechanics, riding skills, and bikepacking — all while in a community with other Queer, BIPOC, and radically cool riders. After years of dreaming, it was finally here.

Miguel Indurain was the king of the Tour de France in the ’90s, winning five times consecutively. He was one of my teenage cycling idols, and coincidentally he and I share almost the same bike measurements; however, the similarities end there! I always thought it would be a fun project to build an everyday rider that was an Indurain Pinarello Banesto replica. Here’s how I got my “Big Mig” bike up and running.

The Trail Pistol is Guerrilla Gravity’s short travel trail bike with 29″ wheels and 120mm of travel. It’s the type of bike that seemed to fit my riding style, and I was super excited for the opportunity to spend some time with one for a long-term review. Since the factory where these bikes are made is just a short drive from where I currently live, it made sense to combine the review with a more in-depth look at the brand, their manufacturing process, and the modularity of their bikes. The original article was close to 6500 words, so we decided to split it up a bit for everyone’s sake. Next week, we’ll share a slightly shorter article that takes a look at the modular frame platform, new paint schemes for the brand, and the next-gen Gnarvana, which is GG’s long travel enduro bike. Let’s get to it!

I’d only started dating my partner Sam for a matter of weeks before we left to cycle around the world together. Red flag? Romantic? Stupidly spontaneous? – I’ll let you decide. I’ll concede that a multi-year bike tour isn’t exactly a traditional way to start a relationship. But with precisely zero bike touring experience under my belt, cycling around the world with a stranger was ironically the least of my worries. I had to find a bike, learn how to ride it (yes, I’m serious) and figure out how the hell I was going to pack my life into two panniers and a basket bag.

To say I made some mistakes would be an understatement. I mean, who knew hair straighteners and a hardback copy of The Power of Now wouldn’t be suitable for a bike tour? That said, I also made some damn good decisions, not least my choice of basketbag: The Sight Seeker from Framework Designs. That bag has travelled halfway across the world with me, weathering everything from tropical monsoons in South East Asia to numbing snowstorms in Nepal. So when Sam and I returned to Melbourne three years later, I couldn’t wait to check in with Framework Designs Founder, Tia Evans on how the business was going, visit her home studio and, of course, share it all with you.

My Garmin reads 113 degrees. With smoke blowing into Idaho from the seemingly continuous California fires, the air quality index is almost double the temperature. A brown haze obscures the landscape. Soot mixes with dust and sweat forming a dry crust on my face. In the dirt, on either side of me, lay my two companions—my younger brother and my hardtail mountain bike, fully loaded with camping gear. Forty miles into a four hundred-mile unsupported mountain biking trip through the Idaho backcountry, we take reprieve in a sliver of shade.

“Classic Mike Dillon trip,” my brother mutters, his voice thick with melted trail mix. Mike Dillon is our dad. Mike Dillon died eight months ago.

For almost an entire calendar year, I watched as the business I worked for tracked record profits, month after month, while I toiled away at the kitchen table of my studio apartment amidst the onset of a global pandemic.

Outlook pings governed my daily life; recurring meetings and phone calls structured my weekdays ‘to-the-hour.’ Most interactions were conducted in real-time Brady Bunch video cubes. With a cell phone and 13-inch computer screen acting as bridges to all of humanity, I was overwhelmingly connected, yet incredibly distant at the same time.

I questioned my own existence and sense of purpose. I felt both disposable and in-demand; exhausted, but left with a permeating fear of upsetting an operational chain. My manager had quit without replacement and I floated along an aimless trajectory, making up additional job responsibilities as I went. With so much unpredictability, I struggled to do real, meaningful “work.” Feeling a constant pressure to compose emails and tap away at computer keys, home life seamlessly meshed into work life. I grew tired and weary and craving fulfillment. So I quit.

I’ve always wondered if there was something special about the water in Fort Collins that makes it a hotbed for legendary bicycle frame builders. Is the Poudre River’s clean mountain water that so famously supplies New Belgium, Odell, and numerous other local breweries in some way responsible for the wildly beautiful frames made by the likes of Black Sheep Bikes, Oddity Cycles, or Moonmen Bikes? Well, the answer is probably not, but Fort Collins’ water is delicious and it’s a great place to build bikes. A few weeks ago I had the pleasure of visiting with the Choice City’s newest framebuilder, Will Bender, of Bender Bicycle Company. Will has been making frames part-time for a handful of years now, with some truly beautiful machines under his belt, and he just recently moved into a new shop space to start building full-time.

Below, let’s take a look at Bender Bicycle Company as well as some of Will’s recent customer builds!

As a kid, I wanted to fly. Like Superman. The recurring dream never materialized but the fantasy took flight when I met the mountain bike. The history of the early mountain bike is often seen through the lens of a handful of guys who modified their old Schwinns back in the mid-1970s. However, as the lone woman participating in those early riding adventures, I snapped a few photographs along the way, capturing the age of innocence often associated with those seminal days. A small group of trailblazers, pioneering a new course of action riding these old relics, would soon change the future of cycling.

Saying we woke up would imply sleep, which is a luxury the night before the Concours de Machines race hadn’t afforded us, owing to thick black clouds of mosquitoes that infested our van. I lit a church of citronella candles and closed all the doors and windows, while Josh rolled himself up in a sheet and slept outside on a decrepit shezlongé that sat outside the factory. Mosquitos spent the night screaming and raging in our ears while doing their best to tear us limb from limb. At 4 am they sat lining the window sills, fat and bloated, drunk on our blood.

I killed a dozen of them with an old sock in one limp sleep-deprived swipe as a tokenistic act of vengeance, knowing they’d be saving their strength for another assault the next evening. I stood in Andreas’ elegant la fraise workshop contorting my body to scratch bites between nerve endings on my back, craving coffee as the pilotes clip clopped in on road shoes. For many of them, road shoes were a terrible choice. The 204km route billed as a road with some cobbles and gravel somehow encompassed 1466m of short sharp climbs in an oppressively pancake-flat landscape, as well as some muddy singletrack. The singletrack must have caught teams rolling on 28c slick tyres off guard, and would prove catastrophic for some.

This is the second of two reports from the 2022 Concours de Machines. Be sure to check here for the first installment!