The Radavist

With the success and failure of Erik and my last AWOL ride on the Diablo range, we started looking for another mission to continue the story. This couldn’t be just any camping trip, it had to be hard. Like, really, really tough and big and stuff.

Then it dawned on Erik (I was too busy to actually look for anything) – we’d do Velo Dirt’s Oregon Outback. Erik contacted me in his Swedish voice “ok mannn, we’re going to do this really fucking tough ride, called the Oregon Outback, are you in?”. Me: “Of course!” – not wanting to sound like a sissy. At the time, I was probably traveling for something and I didn’t even know what the Outback was. I just assumed it was a chill weekend getaway…

Dissecting my Oregon Outback photos has taken two full days and rather than dumping everything into one huge gallery, I thought I’d break it up a bit into something that everyone can discuss separately: bikes.

People obsess over setups for rides like this. From frame material, to geometry and wheel size, I saw everything.

Erik and I were on stock, straight out of the box, AWOL Comps. Erik painted his to look all crazy. Mine was just black. I had bikepacking bags and my Swift Ozette rando bag, Erik used panniers and the new AWOL rack. Most people used Porcelain Rocket or Revelate bags on their flat bar MTB.

Personally, I felt like a drop bar bicycle offered more riding options and were inherently faster than a rigid or a hardtail MTB. That said, most of the field were on MTB rigs of some sort. There was one fatbike, a few 29+ but for the most part, the rigid 29r ‘adventure’ bike platform ruled all.

A lot of these bikes were built specifically for the Outback, which is insane!

As I began sorting through all of my photos, I realized that my favorite thing about this ride was getting to know complete strangers. Watching their struggles unfold and seeing how they coped with the incredible feat that was upon us.

These Bikes and Faces of the Oregon Outback will forever remain engrained in my riding psyche. The rest of the story will unfold shortly. Until then, enjoy this Gallery.

Flashback to July. I was in considerably good shape, coming off a lot of base miles in the early spring with China and Australia, back to back. After those two countries, I kept pushing myself to be a more fit cyclist. Why? Because I knew this Brovet was coming up and I had something to prove. Both to myself and my friends, who had heckled me incessantly since my bonking in Pittsburgh. Let’s just say, I was ready.

My equipment was dialed, my fitness was in-line and aside from a MTB wreck the week before, I was in tip top shape. The initial talks of the route had numbers like 250 miles and over 30,000′ of climbing. After we completed the route, it turned out to be around 235 miles and 18,000′. Still, no small feat.

Look, it was hot, tough and with around 10 people in our group, it was the largest Brovet ride yet. Was it fun? You bet your ass! It’s amazing how enjoyable rides like this can be when you’ve got the fitness. You’ve already read Yonder’s report, so here are my photos from the ride, in as accurate of an order as I can recall.

As cyclists, we look at roads, paths and tracks a little differently. We notice the nuances of undulation, the tipping point of turns and with each climb, we relish the descent. Some individuals can evoke emotions with a single photograph.

Instagram is great for many reasons, but one of which is sharing your environments with users all over the world. I travel quite frequently, but one man’s photographs always give me road envy. Known on the app as @RMDUB, Ryan Wilson is, by all means, a roadscape photographer.

Ryan works in Hollywood as a sound designer. He’s lived in Los Angeles for over 6 years and only recently ventured into the surrounding mountains, upon buying a road bike. For the past 3 years, he’s been exploring all the various veins of asphalt that trickle down the faces and flow into the valleys.

In August 2012, Ryan loaded his road bike into his car while on assignment and drove north to the Sierras, from that point on, he always travels with his bike and has been to some of the most majestic roadways on the west coast.

So what kind of camera does Ryan use to capture these breathtaking vignettes? The pocket-sized Sony RX100M2 with Carl Zeiss optics. Or his iPhone.