The Radavist

NAHBS is here and already on setup day, it’s evident what bike has dominated the show: the 27.5+ hardtail. While this bike isn’t currently built as one, it can be. Thanks to a new project… Sean from Soulcraft, Cameron from Falconer and a machine shop called E13 have developed a yoke that gives ample clearance for a 27.5+ tire, while still accommodating various crank setups. While you can run a frame such as this as a dedicated 27.5+ bike, Sean wanted people to be able to throw their 29r wheels on it as well.

This detail, along with a stealth dropper, curved seat tube, slack n low geometry provide more than enough opportunities for a highly shredable bike.

Oh and those White Industries cranks… More on those later!

The Soulcraft Dirtbomb is an incredibly versatile bike and a worthy tool to tackle an event like Grinduro. It’ll eat up dirt roads, singletrack and pavement alike but most importantly, it’s strong enough to withstand the after party. Which at events like last weekend, tend to go on ’til dawn.

Sean from Soulcraft knows a thing or two about handmade bikes. He learned the trade from legends like Bruce Gordon and Salsa Cycles, so it’s fitting to see his framesets carrying on many of these ideologies, just in an updated, modern form.

This bike in particular clears the Bruce Gordon RockNRoad tires, features PAUL Klampers, Chris King and WTB wheels and SRAM’s CX1 group, with a 10-42 cluster.

Like I said, it’ll take on anything you throw at it and still party ’til dawn.

Coming off our Dust-Up article on (Most) All Bikes are Handmade is a deeper dive… It is easy to take for granted how products from around the globe end up in our hands. When it comes to bicycles, many of us have no idea how they are made. Our Instagram feeds are filled with romanticized images of artisans building intricate frames one at a time, but what about the production bicycles that the vast majority ride? Much less information is available, leaving our imaginations to conjure up images of robotic welders and dirty, fast-paced production. This often leads to uninformed debates on where, who, and how products are made.

The authors of this article offer a unique perspective on bicycle manufacturing. Daniel Yang, a talented engineer working with Neuhaus Metalworks and his own brand ARTEFACT, is changing how artisan framebuilders build bikes through 3D printing and 3D modeling innovations. Adam Sklar has over a decade of experience building high-end custom bikes by hand. He recently brought his production to Taiwan, working together with factories to produce his signature designs. The factories and people you see in this article produce Sklar Bikes, which is why we were given the opportunity to share this experience with you all.

For framebuilders, there’s no better test for their product than a long bike tour. When I last saw Brian, he had just completed the Baja Divide on a bike he built. At the time, he had just left the outdoor industry and hoped to transition into building frames full-time under the Rare Earth Cycle Craft banner.

His hardtail was one of my favorite bikes I documented this year until I saw his Tour Divide bike…

Wende Cragg’s contributions to cycling and her documentation of the sport over the years are unquantifiable. And here at The Radavist, we’ve been fortunate to have her sharing snapshots of that history, from her moving piece about the origins of mountain biking, to her return to Crested Butte last year for the Pearl Pass Tour after a forty-two-year hiatus.

Wende is back today to share another special story we think you’ll thoroughly enjoy. This time, Wende pens an ode to her custom 1983 Breezer Series III built for her after multiple ill-fitting predecessors (including one of the ten original Breezer Series I). To top it off, she enlisted Joe Breeze to share a few insights about her one-of-a-kind bike and the general evolution of early Breezers. Let’s get right to it below!

We’ve had a busy year over here at The Radavist. From the return to being 100% independent, launching our Group Ride subscription service, our Rad Bazaar marketplace, and adjusting to being a small business owner again, my free time has been limited. Yet, I can thank a few products for making my job and life easier this year, along with the albums that became the backdrop for my rides, so let’s check out my Favorite Products of 2023!

“It’s just a bike.” The late Bruce Gordon built bicycle frames to enhance his customers’ lives. Through all my interactions over the years, up until his passing in June of 2019, he would take praise for his work, but would always end the conversation with: “It’s just a bike.”

To talk about this bike in particular, you first have to know Bruce. Who he was, his ethos, the mythos, and what he brought to the “g” word: gravel. Bruce was making fat-tire road bikes for a long time. Long before many. He developed tires, toe clips, and helped foster an entire movement of makers in the Petaluma, California area and beyond.

But just like that, he was gone, and he left behind a legacy…

While he and his wife were on holiday in Santa Fe, John got in a few rides with Steve Rex who brought along his fillet-brazed hardtail. Since Steve wasn’t at the MADE Bike Show, John wanted to give the Sacramento-based builder a spotlight of his own, so read on for the full gallery…

Each framebuilder has probably their own relationship with the Concourse de Machines. Mine is not monochrome.

On the one hand, there is the excitement of creating a product with soul and sharing it with the framebuilding family. Our profession is “socially” atypical. It is at the same time very solitary: us and our ideas, our tools, the calm atmosphere of the workshop. And it is also inevitable to expose the brand/our work on social networks, the only lever to promote ourselves autonomously, without counting on the press. During the CDM contest, this too virtual sphere becomes the timespan of a few days entirely palpable and real. I find in the other framebuilders a sensitivity, convictions, a listening that it is hard to find in someone who did not go through the same choice of professional life as me. For many, it remains one. The contest is also about that: talking about our joys, our doubts, our desires, our difficulties, and that makes it very attractive to me.

On the other side, there is this shell that I try to put on myself since the frustrations felt during the CDM 2019. I had a bad experience putting so much soul into a project to feel pretty much unconsidered. Too young, too shy to show off, not enough in the good papers. So I take advantage of each edition to remind myself that we are doing this competition above all for ourselves, to continue to invent ourselves. The look of others is sometimes pleasant and often relevant, but it should not affect our own.

The dawn has barely broken and early rays of summer sunshine splatter golden light across the yard while Meg Fisher throws a ball for her pup Pax. She knows she’ll be leaving him for a good chunk of the day while she gets out for a training ride and wants to make sure he gets some of his puppy energy out before she goes. Her laughter echoes under the trees and her stoke is palpable.  With the great state of Montana as a backyard, the number of trails and gravel roads at Meg’s disposal are enough to make anyone want to pack up and move west.