A group of individuals who share a love of cycling and the outdoors. We will always stop for a photo, or to hit a jump. Rubber side up!
We believe the outdoors should be respected. Please, pack it in and pack it out. Leave it better, even. Remember, we’re all ambassadors for cycling, so be polite on the road and the trails and observe the leave no trace principles.
What does the Radavist mean?
Rad + Atavist = RADAVIST
Why does a porpoise surf a wave, or a sea otter slide down a rock? Atavism is a primal trait in humans and animals that drives us to do what we do – what ought to come naturally – it’s the inherent nature of living things to play. Atavism is why we ride the way we ride; From mashing the city on a track bike, riding singletrack on a ‘cross bike and shredding trails on a mountain bike. Take the time to get rad and tell the tale.
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This one’s a strange bird for sure. 1994 brought about a sea change in the mountain bike industry. The world was abuzz with full suspension bikes and suddenly manufacturers like Fat City Cycles found their hands forced to embrace this new technology. It was this year that Fat Chance joined forces with Serotta in New York. This manufacturing move allowed bikes like the Shock-A-Billy to be born, as well as increased production in the standard lineup including: a Ti Fat, Buck Shaver, Yo Eddy, Wicked Lite and the brand’s road bike, the Slim Chance. These frames featured quad butting, an aluminum AMP rear swingarm providing 2.75″ of travel and an optional Rock Shox Mag 21 fork.
How bikes like this survive for over 20 years and remain mostly intact continues to baffle me. Especially with builds like this: Ringle skewers, WTB VelociRaptor tires, White Industry hubs, Moto Ace Salsa stem, Syncros post and a working Shimano XTR group.
Fat City Cycles suffered a fatal blow in 2000, only to return in 2014 with a new plan… They’re back and you can own a modern Fat City.
As for vintage Fat City, if you really wanna go down the Fat City rabbit hole, read up at Mombat!
I’m loving all these vintage MTB-related interviews the Pro’s Closet has been conducting. Here’s the latest, featuring Ned Overend were he talks about the early days of professional mountain bike racing, dueling with John Tomac, and the tension disc.
Dermy’s got it down. He wanted a mountain bike to cruise around the neighborhood on and hit hobo trails throughout this urban sprawl we call LA. The bike itself is fairly “stock” with new bars and a modern Thomson stem added to keep it nice and wide up front. Other than that, Shimano Deore and a set of decent wheels keep this thing rolling. There’s not much that can be done about the clapped out fork but hey, what can ya do?
Artist Chris McNally, like many of us have a long withstanding love for Eddy Merckx, his legacy and his bicycles. Maybe not his modern machines, but rather the years of classic racing. Specically, Faema and Molteni.
As part of a giant undertaking, Chris is working on a new watercolor painting project: a bike shop of life experiences both fiction and non-fiction. Inside this gem of a idea will be bikes he’s owned and bikes he’s yet to own. Case in point: a Molteni Merckx…
There’s more to come from this unique undertaking, but for now let’s just appreciate the detail he put into this classic race steed.
French artist, sculpture and frame builder Atelier Des Vélos engraves classic componentry. We’ve seen his work before on a Tomassini, but this gruppo is going on his own frame. A Campagnolo Record Pista crank and post, along with a Alter stem got the treatment this round. Here are a few teasers before ADV completes the project, which I think we’re all gonna be pretty stoked on.